His greatest film, , followed in 1948; a virtual textbook of neorealism in action, it featured all of the aesthetic's key tenets -- gritty production, almost improvisational acting, and a lean emotional compression -- and it even added authentic documentary footage into the narrative to establish a greater sense of truth. He began as an actor working on the stage. He acted in many films with his then-wife, Giuditta Rissone. Death Vittorio De Sica struggled with many problems near the end of his life. With the end of the war, De Sica's films began to express the personal as well as collective struggle to deal with the social problems of post-Mussolini Italy.
Il Tetto, about a curious attempt to erect a small house on municipal property, is generally recognized as the last neo-realist film of this original period. Each episode propels the narrative toward a sublimely Chaplinesque but insufficiently socially critical ending in which Ricci is defeated in his search and therefore in his attempts to provide for his family. Sciuscia, a realistic look at the street and prison life of poor, abandoned children, was the result. De Sica began acting on stage as a teen-ager and played his first film role in 1918. And I look in Rome and find someone to give me money to make this picture. De Sica died in Paris on November 13, 1974.
Vittorio De Sica Associated With He directed the 1964 Italian film Matrimonio all'italiana Marriage Italian-Style starring. The sequence of the film in which the maid wakes up and makes the morning coffee has been praised many times for its dayin-the-life directness and simplicity. Below are some of the films he directed after 1940. Human comedy emerges from the rich diversity and liveliness of Neapolitan life. He specialized in breezy comic heroes, men of great self-assurance or confidence men as in Rossellini's Generale della Rovere.
Continually wooed by Hollywood, De Sica finally acquiesced to make Stazione termini in 1953, produced by David Selznick and filmed in Rome with Jennifer Jones and Montgomery Clift. Portrayed Comic Heroes During his lifetime, De Sica acted in over one hundred films in Italy and abroad, using this means to finance his own directorial efforts. Altogether, he had three children: Christian, Emi, and Manuel. And a newspaperman ask me: 'What picture do you want to make? Il giardino dei Finzi Contini, based on a Bassani novel about the incarceration of Italian Jews during the war, shows a strong Viscontian influence in its lavish setting and thematics the film deals with the dissolution of the bourgeois family. De Sica decided to make more commercially oriented films, beginning with Terminal Station 1953 , a David O.
Surprisingly, De Sica began his career as an actor. As for television as a competitor, yes, there I see a danger. De Sica began acting on stage as a teen-ager and played his first film role in 1918. De Sica attempted to reconstruct reality in the studio during the making of this work, making use of a somewhat unsuccessful stylized lighting technique. These two films generally are considered part of the canon of classic cinema.
And we feel together the same. Vittorio De Sica Family Life He was married to Giuditta Rissone from 1937 to 1954 and Maria Mercader from 1959 to 1974. De Sica developed his own style of comedy and entertainment also in television shows, such as Bambole, non c'è una lira which gave him a large success in 1978. He previously three children called Emi, Manuel and Christian. Vittorio De Sica had to use actors that did not have a lot of training. In 1974, Vittorio De Sica died at 73 after a surgery at the Neuilly-sur-Seine hospital in Paris.
Much of the film's original flavor can be traced to the clear, subjective mediation of a child, as promised in the title. But as usual, he obtains excellent performances in an engaging dramatic vehicle Sophia Loren won an Oscar. Vittorio De Sica Before Fame He started his career as a theatre actor and he formed his own theatre company in 1933. The pictures I direct are nearly always melancholy. De Sica's last film, Il viaggio, is from a Pirandello novel. The exactitude with which he sculpts his characters and his reluctance to reduce the scenario to a mere bunch of gags demonstrates his intention to fuse comedy and drama, putting De Sica at the top of his class in this respect—among Risi, Comencini, and Monicelli. In the 1920s his handsome features and talent made him something of a matinee idol.
The war prevented De Sica from directing another film for four years, but finally in 1946 he resurfaced with the brilliant Sciuscià. A film shown in the home encourages the audience not to budge. He won more than two dozen awards, and he was nominated for a dozen more. He was increasingly drawn towards acting, and made his screen debut while still in his teens, joining a stage company in 1923. He was directed by Verdone in 1982 and 1988. With 1932's La Vecchia Signora, he made his sound-era film debut and went on to become an even bigger star in the cinema, appearing primarily in light romantic comedies throughout the decade. Books Agel, Henri, Vittorio De Sica, second edition, Paris, 1964.
The couple had two sons. Periodicals Avant-Scene du Cinema Paris , October 15, 1978. There are times when some films are received well and others aren't. He appeared in a number of films by Mario Camerini, including Gliuomini che mascalzoni! The best of these are: Il giudizio universale, which featured an all-star cast of international comedians; Ieri, oggi, domani and Matrimonio all'Italiana, both with Loren and Mastroianni; and Sette volte donna. Vittorio De Sica About Italian director who was a leader in the neorealist movement of the 1940's and 1950's. By this time De Sica's films were the subject of a good deal of controversy in Italy, and generally the lines were drawn between Catholic and Communist critics.