When Harry looks at Kilimanjaro, he sees it as a symbol of truth, idealism, and purity. The small animals scurrying on the ground are another yet minor symbol to note, as they indicate that life still goes on, business as usual, all around Harry despite his life-threatening situation. Death is so near that it can be smelled, even in the presence of the stinking, smelly hyena. Hemingway characterizes death as predatory, and Harry himself is the prey. The people he knew now were all much more comfortable when he did not work. During the story Harry is also lazy and drinks a lot, and at some parts of his life he just lets it waste away.
The other ending occurs when the plane flies Harry toward the square top of Kilimanjaro. Molo The servant who tends to Harry; his main function is to pour enough liquor in Harry so that Harry can stand the pain of his wound and that of utter disappointment. Which again suggests that Harry is thinking of someone else. She had been devoted to her first husband who died just as their two children had grown and left home, leaving her quite alone and needing to build a new life. Some readers will consider the plot to be far fetched and not plausible considering that Harry may possibly be delusional at the end of the story particularly considering that he thinks he is on his way to Heaven. Ironically, the reader also learns that in happier times, Harry spent time observing the vulture's behavior so that he could use them in his writing. Harry recalls all of the little neighborhoods in Paris where he lived when he was poor, including the drunkards and the sportifs; he remembers the inexpensive hotel where he rented the top room to live in and write.
This is important because Harry is associating the snow with happy times as he also does at the end of the story. He moved to Paris in the 1920s with his first of four wives, Hadley Richardson. The flashbacks themselves center around concerns about the erosion of values: lost love, loose sex, drinking, revenge, and war. Hemingway could well express the feelings of Harry because they both feared death in the event that they may have unfinished a work. He has gangrene in his leg and is waiting for a medicine.
The reasons are that people put too much time into achieving unrealistic goals, people get too involved in obtaining their goals and do not appreciate what they have, and people have the wrong idea about success and can not obtain true success with the wrong vision of what it is. He has squandered his time and talent. The hyena makes another, louder sound and rouses her. While he blamed Helen who, it is clear, is merely an innocent bystander with the best intentions, albeit a lack of understanding of her husband and drink and any number of things in his life, it was ultimately his courage that was the metaphorical scrape on the knee. This part of the city was his favourite and it represented his youth, happiness, and potential. He has lived in fear of death all his life, even been obsessed with it, and now that he is faced with it, he finds he is too tired to fight it.
Harry sees Helen heading back to the camp with a ram she has shot. In most civilizations, God or God's promise of immortality resides on the highest mountain top: Mount Olympus for the Greeks, Mount Sinai for the Hebrews, Mount Fuji for the Japanese. As spiritual symbols of ascension, these birds represent both what could've been and what now can't be. His experiences from World War I where he sustained leg injuries is depicted through his character Harry. First when Harry is lifted off his cot and onto the plane and secondly when the plane takes off rises. These little acts of forgetting his purpose as a writer build gradually until he cannot tell a story without resorting to doing so in a fit of sorts.
In some ways achieving immortality. The purple dye that the flower sellers use to dye the flowers could be an interesting metaphor for writing itself. Harry claims not to remember what he said. However there is a redemptive quality in the final flashback when rather than thinking about himself, Harry thinks of others. The plains of Africa in the vicinity of Mt. In another flashback, Harry mentions his stay in Paris when he led debauched life and where he met Romanian poet Tristan Tzara who founded the Dada movement and whom Harry opposed.
Spiritual ascension in terms of being released during death, although through unpleasant means, from the earthly plane, and release in terms of finding joy and peace in skiing free and unfettered in the wind. The woman mentions that she would like to do something for Harry until the rescue plane arrives. In the morning, Harry hears a plane and the boys preparing for its landing. Thrace A section of Greece, it was the scene of fighting between the Greeks and the Turks in 1922. Hemingway later changed the name to Julian, although the reference remains clear. Because Harry sacrifices the morphine pills to ease Williamson's pain, this episode is parallel to the one in Part 2 where Harry sacrifices himself to his wife and stays loyal to her as opposed to absolving himself and admitting that he never loved her.
He was a writer who started his career with a newspaper office in Kansas City when he was seventeen. The scavengers hold the leopard with such regard that it's prey is still fearful of the predator after it's soul has ascended to the heavens. Sitting comfortably in a cafe leads to creative impotence. To again see how he is thinking. Still, he wished he had written about the things that had affected his life: the joy of skiing, the emotional upheaval of the first true love, the unquestionable loyalty to an old soldier. The writers of this era had recently lived through the chaos of World War I, and the horrors and suffering of trench warfare radically changed their perspectives on society, humanity, and artistic expression. Though as readers we are also aware that he is delusional at the end of the story believing he is going to Heaven.
The author's story is about Harry's spiritual death as much as his bodily one. He considers sleep, but death seems to have gone down a different street, on a bicycle. This inner conflict is part of the venom—part of the main source of the gangrene-like infection of his soul and creativity and is present in his other dealings with women especially rich ones whom he discusses briefly throughout his reminiscences. The man mentions for the first time that the big birds — the vultures or buzzards, as they are often referred to — are birds of prey, who have ceased circling over Harry and Helen and now have begun to walk around on the ground. It is on this low, hot plain with land-bound animals that Harry is at his most frustrated, baser, unrealized self as death, symbolized by the vultures, creeps nearer and his unused talent slips further away from him. She points out they liked to do many things together, and he tells her to stop bragging. Death has been presence throughout his life, but he has learned its lessons too late.
The boy had had no idea he was going to be arrested, thinking he'd be rewarded. He thinks to himself, when she leaves he'll have all he wants. At the same time, Helen awakens and walks toward Harry's cot. He is certain that he will die very soon. Hemingway possibly relating the barren landscape to death.