1950s record labels. Cover Records (page 1) 2019-01-08

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1950s record labels

It's really easy to make extremely complex geometric shapes with it! As good as anything Hank Mobley recorded and, for the moment anyway, available for a lot less money. Philips was a local blues and country disc jockey whose business had been mainly comprised of recording local blues and country musicians and some weddings. See more ideas about Label, 1950s and 45 records. Kind Of Blue, by contrast, was made with a sextet in which Davis shared the frontline with Cannonball Adderley and John Coltrane, rising stars of post-hard-bop jazz. By the mid 1950s, Atlantic had begun to hire some talented young photographers like Marvin Israel, Jay Maisel, William Claxton, and Lee Friedlander. But 22-year-old student Richard Branson's confidence was even bigger.


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The Independent Record Labels Of The 1950'S...

1950s record labels

This label gets the edge over most hip-hop labels because of its endurance along with its many commercial successes. But not all was well in the '50s, as there were also underlying anxieties that the citizens were faced with as a result of the Cold War. Another classic Edwards cover was Soultrane, a spare design with a large section of white space and a photograph of Coltrane covered with a blue overlay in the lower left corner. Chris graduated from college five years ago with a finance degree. No… 2150 Words 9 Pages Music Industry: Independent vs. By the early 1950s, radio play had become even more important than getting stocked on jukeboxes, and the market now included the white teenagers who tuned in to stations that were nominally aimed at black listeners.

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83 Best Record Labels

1950s record labels

Around 1960, Loring Eutemey, an African-American designer who was working for Push Pin Studios, began to do free-lance covers for the label, several of which achieved a satisfying relation between the images and the typography, particularly, Free Jazz: A Collective Improvisation by the Ornette Coleman Double Quartet, which consisted predominantly of type, complemented by a small abstract painting Fig. In 2007, the four remaining companies—known as the Big Four—controlled about 70% of the , and about 80% of the United States music market. These two originals show little of the psychedelia and voodoun with which Dr. When it occurred, that business transaction brought with it a sense of huge loss in the black community. Black Swan Records founder: Harry Pace, 1921. This was and is no way for anyone to live, and African Americans knew it was time for them to be treated like human beings.


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78 rpm Record Labels

1950s record labels

The 11-piece lineup includes Arkestra saxophone-stalwarts John Gilmore and Pat Patrick. This record label would also work as an entertainment production company. Sometimes the covers of the original songs kept the same lyrics but re-orchestrated the music with arrangements that would burr off the rough edges and turn the raw, driving beat and the fast tempo of the originals into the familiar, mellow, and non-threatening style of white popular music. The bands needed to be amateur status and not have recorded before. It was Black Swan that exposed mass audiences to black music styles, mostly jazz and blues at the time, which made bigger labels like Columbia and Atlantic take notice in future decades. Several companies set up studios in their office buildings, and label owners efficiently doubled as producers in an era when recording sessions lasted only three hours according to union requirements. By the late 1960s, album cover designs had become important sales tools and were instrumental in helping customers select albums from record store bins.

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American Jazz Album Covers in the 1950s and 1960s

1950s record labels

The song was loosely based on The Spanish Cavalier written in 1881. As art director Claxton designed a number of covers with paintings by West Coast artists that he chose to visually represent the music. If this is the case it can sometimes give the artist greater freedom than if they were signed directly to the big label. Veterans of the big-band era who created rhythm-based arrangements for , they acted as midwives for what we now call. The Dolphy covers were also among the earliest examples of designs by black artists to illustrate the music of black musicians Fig.

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80 Best Vintage Record Labels images

1950s record labels

He worked with photographs but had a developed sense of typography and balanced the photos with well-placed and appropriately scaled type that resulted in strong compositions Fig. His legacy inspired a generation of younger experimentalists including John Cage — and, later, Frank Zappa. In his Sun Studios at 706 Union Avenue in , he recorded future blues greats and. Columbia was the first record label to introduce album covers, which were invented by Alex Steinweiss who joined the newly formed label as an art director in 1939. With the notable exception of Phillips, they had no experience in the studio.

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The 50 most collectable records of the 1950s

1950s record labels

In other words, there was a significant number of people were looking for a different sound and these labels could produce local talents that had the sound these consumers were looking and listening for. After that agreement fell apart, a second agreement was signed in 1904, which ended the two-year war between the National League and the upstart American League. This was Elvis' first 1 hit. All three were at the peak of their popularity and had collectively, in 12 months, sold over 10 million records worldwide. Operating out of cramped offices and using a phone box for calls, if you believe the stories , the label's first year had a big success: Tubular Bells by Mike Oldfield. By 1956, the label had signed major jazz stars — Miles Davis, Dave Brubeck, Charles Mingus, and Art Blakey and the Jazz Messengers — and Fujita was charged with finding a visual style that was as strong as their music.

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r4cloud.com

1950s record labels

The President was Harry Truman, whose last year in presidency was in 1952. She was the first female to sell a million records. Whereas 'net' labels were started as a free site, digital labels are more competition for the major record labels. Radio Recorders got is start in the 1930s. The 1950' s were quite radical in fact, this is the decade that began rock n' roll, the civil rights movement, better family living, advances in technology, Fashion, medical research, other wonderful things this country was not used to seeing or hearing. The decline of the educational system in Newark was a direct result of economic and political decisions on the part of federal, state and local groups. Guitarist Mickey Baker went back to session work.

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Essay on The Independent Record Labels of the 1950’s and 1960’s

1950s record labels

In 1955, aged 14, Zappa discovered Complete Works Of Edgard Varèse, Volume 1 gathering dust in a Los Angeles record store. For the most part there was prosperity and advances in technology. Burt Goldblatt was a young graphic designer who did free-lance work for some of these labels. Quite simply, it may be the sole reason that rap music and hip-hop have enjoyed the mainstream success they have for the past nearly 40 years. Established artists, such as Nine Inch Nails, whose career was developed with major label backing, announced an end to their major label contracts, citing that the uncooperative nature of the recording industry with these new trends are hurting musicians, fans and the industry as a whole. A National Agreement was signed by the different leagues to govern relations between rival major leagues. Big business dominated the domestic economy during this time.


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The Independent Record Labels of the 1950’s and 1960’s

1950s record labels

This sweet yet sophisticated retro Record inspired wedding invitation suite will encourage guests to bring their dancing shoes to your unforgettable event. See more ideas about Wedding ideas, Quirky Wedding and Rockabilly wedding. It's where your interests connect you with your people. The Controversy over 'Cover' Records The decade of the fifties saw a transition in popular music. Most of the eight tracks explore Cuban-derived mambo and cha-cha-cha rhythms. See more ideas about Wedding ideas, Quirky Wedding and Rockabilly wedding.

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